Pot Holder

After making more than a few pot holders for the shop, I thought I’d spoil us with a new one too. As our kitchen is red, I used all red scraps – matching or not. Finished off with a few different machine stitches in bright red thread. What do you think – should I make more pot holders in single colors?

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How does your garden grow?

A few photos of my garden I’d love to share with you. A few buds and blooms can really raise your spirits, even if the slugs have all but finished off your beans…

How does your garden grow?

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Traveling tips

Traveling can be tricky when you have a food sensitivity, intolerance, or allergy. Even more so when you have multiple. But that doesn’t mean it’s impossible.

It does take some extra pre-planning and prep time and can sometimes be a bit stressful. But it is something you’ll have to do, want to do, and by all means should do. Staying at home, becoming a recluse, or even worse- becoming “boring”- just isn’t an option!

Here are some of my tips to make traveling just a bit easier:

The Basics:

-Buy snacks online that you can’t get in your local stores. But try them first! Better to find out the hard way if it doesn’t agree with you while you are still at home than while traveling. I find dry (non-refrigerated), packed snacks a life saver on vacations as they won’t go bad and usually aren’t that heavy.

-Try to find a place to stay with a kitchen (here in the UK this option is called self-catering) vs a B&B or hotel. Or call ahead to see if you can get a fridge in your room or store some food in the B&B/hotel’s kitchen. Don’t be shy- most places are eager to please.

-Choose some recipes to bring with you that have easy to find ingredients (and are quick and easy to make). Meat with a spice rub, steamed veggies and rice for example. Plan appropriately- if you’ll be out exploring during the days, you’ll want to pack recipes for cold, to-go lunches like noodle salads or gf wraps. If you’ll be staying with friends or family, you may want to offer to cook for everyone as a thank you to your hosts- pack a recipe that’s a great family pleaser (first find out if anyone is a vegetarian, really hates fish, or has other allergies!). Bringing more recipes than are needed- in case you can’t find an ingredient, or realize you don’t have the right equipment.

Prep, prep, prep:

-Make spice mixes and dry mixes (like for pancakes or muffins) before hand. I put them in labeled zip top plastic baggies.

-If possible pack some hard to find ingredients that you know you’ll need. Keep in mind your destination. For example- if you’re going to North Wales, Asian stores may be hard to find so consider packing rice noodles or coconut milk, but if you’re staying in a city with a China Town like Boston (USA) you’ll likely be able to buy rice noodles and coconut milk there.

-Bake/make whatever is possible before hand. Extra muffins, cookies, breads, etc. Anything that requires specialty ingredients or pans and keeps well without refrigeration.

Do your research:

-What is the local cuisine like? Look up authentic recipes- can you eat any without major adaptations? This will give you an indication of how likely it is you’ll be able to eat out at restaurants.

-Look up local grocery stores, organic stores, health food stores and print out (or bring an electronic copy of) maps, addresses, opening times.

-If you’re going somewhere you’ve never been, try online forums to answer any questions. For example if you looked up “health food stores” in Britain and found “Holland and Barrett”, but want to know if they sell GF foods (answer: some snacks). You may also find out other helpful info- for example a store that is not on google maps, or stores on google maps that have since closed. Or perhaps times and dates of local farmers markets, or near by towns that may have allergy-friendly food shops.

-If you have a life threatening reaction, you’ll want to look up local hospitals, doctors, and numbers before you travel. For example in a life-threatening emergency in the US you dial 911, in the UK it’s 999.

Flying:

-You aren’t allowed ice packs through security on a plane, so pack your cooler bag/lunch box with ice cubes in a bag, and an extra bag. Throw away the bag of ice cubes right before going through security and then ask a restaurant for some ice once you’ve gone through (use your extra bag for the ice cubes).

I should mention here that my brother has had good luck packing a cooler bag with ice packs and lots of food in his checked in suitcase. I don’t suggest this method with long haul flights, with things that will spoil the very second that the ice packs have melted, and always have some sort of back up plan incase security confiscates it.

-Make sure you have extra snacks (and back-up food plans) on board with you. Last year I was stuck at an airport without food and my bag had already gone on to my destination (with all my extra snacks). It looked like I was going to have to stay overnight without dinner or breakfast until a really nice gate agent booked me on the last flight out that night. Once I got to my destination, it was really quick hugs all around then dug into my suitcase- I was never so happy to have a muffin! If at all possible, try booking direct flights.

-Flying long distance always makes me sick. I don’t know if it’s the time difference, lack of sleep, change in eating habits, new water, or what. I have recently read that in order to change your sleep clock, you should not eat for the 8 hours prior to when you want to be awake. Supposedly your body will view the first meal (breaking-fast) as breakfast. I plan on trying something similar my next flight- start eating like you are already in the new time zone while traveling. Should make deciding when to try to sleep easier too. What tricks work for you?

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New bag design- the Kirby

Brand new, exciting news- the Kirby Bag is here!

I have decided to stream-line my bags by having a few different styles that I’ll make over and over with different color combinations. It will hopefully make shopping easier at katiedidonline; if you don’t see the color combo you like, I can custom make one of my designs in your color choices!

The Kirby Bag is named after a book lover in my life. It’s made of sturdy fabrics (upcycled from curtains) perfect for cookbooks from your favorite second-hand shop or bottles of homemade elderflower cordial from the local farmers market! Finished with an outside pocket and sturdy handles.

You can spot a kirby bag by it’s taller-than-wide shape, and the two trademark triangles in the corners.

You can find this one on my etsy store now:

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Cameras eye

Cameras aren’t relegated just to the DoP (camera operator) on film sets any more. Besides the obvious (behind-the-scenes crew) cameras are incredibly useful tools for wardrobe and make-up artists. They help with the continuity by serving as reminders of how costumes were worn- sleeves up or down, purse on the left or right arm, etc.

By the end of the shoot I inevitably have a camera full of great memories, behind the photos, and loads of continuity shots. While they look silly out of context, these photos are a vital part of a shoot for the wardrobe department since films are not shot in sequence. You might shoot scene 2, then 4, then three days later 1 and 3. Relying on memory when you’ve had 4 hours sleep or are rushing to get your actress dressed and back on set in 5 minutes (for example) will only end with death threats from the editor when (s)he realizes you’ve made a big boo boo (I should point out I’m just kidding- I’ve never received death threats from the editor, maybe some silent cursing though…).

I use a digital camera, and use the display feature on the back of the camera (plus the zoom) for both quickness and ease purposes. I know other wardrobers who like polaroid photos, which they plug into their continuity sheets with notes, and others who get the digital photos printed out at the end of every day (not always possible when working late hours or financially when working low-budget).  The latter I do when time and money allows- especially if I was doing a feature (full length film) with lots of costume changes. But on this short with time and budget constraints, and only a 5 (well, 6) day shoot, I used the “cheat” method- using the camera display.

When taking a continuity shot, I like to take one full shot, and a close up of sleeves, jewelry or other accessories as those visual cues are really vital to keeping boo-boos at bay.

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I’ve seen it all before

Things have a way of popping up again and again. Props and accessories used in previous projects that aren’t tossed, given to charity, sold on, or re-made into new props are likely being kept for good reason. A unique piece that was hard to find may come in useful one day, a small accessory like pearls or headscarves are easily stored and oh so useful, and others are kept for more ‘sentimental’ reasons.

There are plenty of props to look out for in Stop/Eject from Neil’s previous films (a little teaser for you in one of the photos below) tucked in all the corners of the charity shop set. Even an old costume and some designs of mine were used as props.

In wardrobe land, I managed to re-use a scarf, and by some bizarre sense of fate it was with the same actress. On the left from Stop/Eject, and the right from The Picnic:

It’s amazing how many years it adds just by changing how she wore the scarf (sorry, T!).

Space permitting, I think I’d love to keep just about everything costume wise from Stop/Eject, but it will likely be mostly the accessories- like the fabulous retro glasses and watch Alice wore (above), and the bangles and necklaces Kate wore. I’d also love to keep Alice’s skirts, the coats, and Kate’s wrap sweater. And the dresses…but they might end up in my personal wardrobe ;)

So keep your eyes peeled for re-uses in Neil’s future shorts and features. Or perhaps we’ll be featured in a future episode of hoarders….

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Wardrobe. Stop/Eject top 3 wardrobe tools.

We’ve wrapped, packed, unpacked, slept a bit, and eaten some.

I am just starting to feel like a real person again. In the next week or so I hope to share a bit more behind-the-scenes from a ‘wardrobe’ perspective, but I thought I’d start off with my top 3 things I couldn’t have lived without on Stop/Eject.

1. Garment bags. I put all the costumes on hangers and in garment bags (except shoes and such which went into a super-sized suitcase) and thank goodness. The costumes were dragged around everywhere. Shoved on top of all the dirty equipment in the van, laid out on the pavement, and in the dusty set, in HMU-W (hair, make-up, and wardrobe room) which doubled as a mini kitchen to feed the crew, along a muddy river, and even through a few rain showers. I am so thankful for my collection of garment bags, and plan on making or buying more as I used every single one I had for a cast of 3. I also plan on altering some of the ones I have, as many are not sewn shut at the bottom, which means things can fall out if not handled properly. And nothing gets handled properly on a short-staffed, time-crunched, low-budget shoot.

2. Accessories tidy. I made this one for the shopkeepers bits and bobs.

She had lots of small items to keep track of, and with a place for everything it only took one glance to make sure I had everything. Pearls went in one pocket, her retro glasses in another.

For the female lead, who had lots of bangles and necklaces to keep track of, a plastic bag and plastic jar did the trick. We had lots of quick changes and in lots of places (like public loos and behind an old mill building). So most changes didn’t involve a garment rack. In those cases, having a bag of jewelry which I could shove into my wardrobe bags was just perfect. Very low tech- no sewing necessary. Just don’t loose the bag…

3. Friends. Ok so they aren’t a “thing”, but I wouldn’t have made it through the shoot without such a great crew. An extra special thank you to Debs and Col for keeping me sane, Therese for making us laugh, and Georgi and Ollie for being so easy to work with.

For more behind-the-scenes photos, check out the Stop/Eject facebook page.

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Take 3 B-side

Here is a sneak peek of what I found for Dan:

Still need a pair of shoes, and I’m not sure about the sweater. After getting 2 t-shirts home I realized they are huge (despite being a medium), so I’ll exchange them tomorrow.

I’m beginning to wish I’d kept the british weather in mind when designing the costumes. A couple cute raincoats and an umbrella for the female lead and a waterproof jacket for the male lead would have come in handy…

Will be working late tonight to finish everything, as well as all day tomorrow. Have finished the dying and just letting things dry now. I have laundry hanging to dry all over the house, just fitted my first successful invisible zipper (win) and now have to finish off the waist band of the last skirt, and I have left hand sewing like hems till last since I can do them anywhere. I would have liked to have more lists and charts finished and printed by now, but I can get away with my handwritten notes for most of it since the wardrobe department is just an army of one- good ol me.

Now back to sewing. Bring on the chocolate, upbeat music, and can-do attitude….

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Take 3- Stop/Eject costume update

We’ve now got a male lead! It’s 9pm on Tuesday, we start shooting on Saturday, and I now have his sizes in hand.

This will be the third time I have purchased costumes for the male lead. The first set got returned after the first shoot got canceled since the pieces had all come from chain stores, still had tags and were within return dates.

The second set I purchased from charity shops, as the budget was a bit tighter (I spent more money on the shopkeepers outfits since I had more time to develop her character costume wise).

This new actor is a full size smaller than the costumes, so tomorrow morning I’ll head out to the charity shops, new sizes in hand, to purchase a third set. I’m a bit sad that the t-shirts I’d found won’t fit, but I am hoping I can improve my selection of button-downs. As you can see I was unable to find any in the colors (oranges) I really wanted in the second set. I had planned to dye a shirt orange, and may end up doing so as I won’t have time to be too picky.

This also pushes my already busted budget a bit farther still. On a normal shoot, I probably wouldn’t have gotten away with going too far over budget, but being married to the director means I can convince him to re-arrange the budget a bit in my favor. Having the costumes here in the flat means he can see how it’s going, and gets to hear every day the ups and downs. If this had been on another shoot, I would have probably had to rely much more heavily on actors-own clothes. Working with costumes you don’t get to see until the first day of shooting is obviously risky and asking actors to bring in their own clothes always feels a bit unprofessional (even if it is standard practice on non-paid and low-budget shoots). Even on this shoot I’ve had to ask the actors to bring in jeans and trousers, but I’ve tried to keep it to a minimum.

If I get a chance, I’ll put up a quick photo of what I find. If not, you’ll just have to wait until after the shoot to see how it all came together ;)

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Hiccups. Stop/Eject pre-production.

Film making is never a smooth journey. Sometimes it’s a few bumps along the way, but more often it feels like climbing Everest. But some how the “we’ll never make it” feeling gets buried somewhere in an ever growing to-do list. Perhaps being in ‘panic mode’ is what makes the impossible possible. Because in film-making reality, calm, and logic rarely make an appearance.

Last week after battling my husbands 2-day-cold for 4 days, I was hit with a second cold (I’m my own good luck charm). Being that I don’t alter clothes all that often, I am in need of a clear head to start altering the costumes for the shop keeper. So needless to say, none of the altering has been done. So despite my best efforts, there will be a last minute rush to alter Alice’s skirts (we start filming in less than 7 days).

If that was the only hiccup, I would clearly be dreaming. If you’ve been following Neil’s blog entries about Stop/Eject, you’d know that the main actress had to pull out, and then the leading actor pulled out too. (In case you’re counting, that left us with only 1 speaking part cast).  While this is a nightmare for the director as he mulled over whether to postpone the shoot or frantically search for new actors, for costumes it basically means a forced vacation (if by vacation you mean worry about your impending and likely insurmountable work load). Neil chose to recast. Great news for locations, crew that’s already booked, etc. Not so great for costumes.

I’m now stuck in limbo with an almost complete set of costumes (that can’t be returned) hoping (crossing my fingers and toes) that the new actors cast will miraculously be the same size as the ones that pulled out. If anyone is more eager to have new actors signed up than the director, it’s me. The sooner I can get some sizing information, the sooner I can get to work- be it buying new, altering or adapting. As the days tick by, the window for buying online is rapidly closing, and I’ll then have to suffice with whatever I can find in local stores.

By the end of the day yesterday, with 7 days left till the shoot, Neil cast a new female lead. I’m thrilled that she is the same size as the costumes, although since she is a few inches taller, I needed to re-think the two dresses as they’ll now be too short. I set my alarm early, and spent the morning trawling our local charity shops. I picked up a dress, that when dyed, and altered just may do the trick. One dress to go.

I also decided to pick up a couple options for a small, non-speaking part that hasn’t yet been cast. Since she’ll have to be cast in the next few days, I’ll be able to return the one that won’t fit once I know her size. It’s just one more thing to cross off my list now, as I’ll likely have plenty to panic about as the week goes on. Namely altering and likely buying a whole new set of costumes for the male lead…(he still isn’t cast)

I’ll leave you with the before photo for the dress. I’ll leave my plans for altering a mystery for now, just  to keep you guessing.

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